3 months from today!!

What my life looks like these days (although imagine more cardboard boxes and dust. Lots of dust.)

A few days ago I was cleaning out stacks and drawers of papers (writers have LOTS of random stacks of paper hanging around) and I found my very first draft of The Hideaway! It was like finding an old friend I'd lost touch with. Along with it was the first timeline I drew to figure out Mags's life and random notes I jotted down on a piece of construction paper because I couldn't find real notebook paper. 

I threw a lot of unnecessary papers away (like the foot-tall stack of edits from THE CARTEL (you know who you are...) but I'm not getting rid of these. It's good to keep reminders of all the work that went into The Hideaway. As if I could forget! 

I'm going through all these papers (and closets and kitchen cabinets and under beds) because we are moving. As if digging into revisions on book 2 isn't enough chaos in my life, we decided now would be a good time to move. Just kidding--a little. It is a good time to move--we are outgrowing our sweet little house and want more room to spread out--but I have to work to keep from panicking that I'm spending my time working on the house and not on revisions. I have started revisions though--the break from the story over the holidays was wonderful and I'm kind of excited to be getting back into the story, even though I know I have a lot of hard work ahead of me. Three months until this second book is due to my editor.

And three months until release of The Hideaway! I'm still waiting on the advance copies and can't wait to get them in my hands. If you have preordered the book, it'll land on your doorstep on 4/11. I have no idea what life will be like as the day approaches, but I'm excited to find out. I have heard from other authors, however, that the actual release date is quite anticlimactic. You've worked so hard to reach that day then it comes...and your day looks pretty much like every other day! But I'd imagine it will still feel pretty unbelievable. 

A few links I've stumbled across recently that I enjoyed or that made me laugh:

This woman lived quite a life and had an extraordinary career (including seeing the start of WWII from under a flapping sheet of fabric that delineated the border between Poland and Germany.)

This article features authors talking about how you can write a bestseller and still hardly make any money--or at least, not for a long time. "At times, the entire fiction-writing profession resembles a pyramid scheme swathed in a dewy mist of romantic yearning." 

Chris Stapleton? I'm way behind the times. I just discovered him today on Amazon Music and wow--he's pretty great. I'm not generally a country fan so when I hear about a new male country artist, it tends to go in one ear and out the other because they all seem to be part of the "bro-country" trend (yes, that's apparently a thing, and it perfectly describes the type of country music that really grates on my nerves!) But this guy isn't that at all. He's the real deal, a throw-back to great country-rock artists from decades ago , but also really fresh and new. Here's a video of him performing on SNL. 


Lastly, Matt and I have been rewatching The Office and loving it all over again. I leave you with Jim and Dwight. 

How It All Went Down

Everyone knows the process of publishing a book is a long slog. Even I know that and I’m still at the bottom of the hill. Maybe a few steps up from the bottom, but significantly closer to the bottom than I am to the top. I always like to read about how a person goes from hopeful writer to published author—who was a slush-pile standout, who had an awesome connection, who got their agent through a writers’ conference or other face-to-face meeting, who won a contest. Because there may be someone reading this blog who also likes to know the order in which things happened to catapult a hopeful writer into “the publishing world,” I’m going to outline what happened to me. (This is also to have a record for me, so I can look back and remember how all this came about. Because details tend to fly out of my head sometimes.) And first, let me say I always wanted to be one of those slush-pile standouts. I wanted to be able to tell other hopeful writers—“See?! It happened to me, it can happen to you too!” I can still say that (because what happened to me really is sort of random and unorthodox), but it didn’t involve the slush pile. (Although I can’t even count how many query letters I wrote that no doubt languished in slush piles all over New York City. In fact, I still get random rejection emails from agents who are really behind on their query letter reading.)

So, without further ado…

February(ish) 2013—I began writing The Hideaway.

June (ish) 2013—got sort of stuck in the middle and panicked because I loved the story and the characters and I really didn’t want to lose the story, so I enrolled in a Fiction Workshop class at Samford University, taught by the wonderful Denise Trimm. I took two courses of this workshop, which was priceless. Through the workshop (and the writers’ group that came out of this workshop), I was able to hone The Hideaway into something worth sending to agents. I honestly think if it hadn’t been for this group of people, I wouldn’t have had a novel worth anything.

December 2013—finished first draft.

January 2014—began process of editing and revising. Some of this was on my own, but a lot of it was with the workshop/writing group. They gave such valuable feedback at every level. Also sent manuscripts to beta readers—some were other writers, some were just readers.

June 6, 2014—I entered a query critique contest through Writers Digest. I had just barely begun tinkering with a query letter (since I knew I was nearing the end of my revisions). I won the contest and hurriedly went over my query letter, taking out unnecessary words and streamlining it as much as possible, and sent it off to the agent. All she had to do was read the query and send some feedback—that’s all the contest offered—but she said she wanted to see it again once I made her changes. Then she requested the first 50 pages. (Cue mic drop.) I sent them.

June 24—With a burst of excitement due to the first agent’s enthusiasm, I decide to query my TOP CHOICE AGENT! I’d researched her, knew she liked and had repped Southern fiction, and I liked her demeanor and humor on Twitter. I crafted an awesome query personalized just for her (I mentioned something she’d recently said on Twitter), and sent it off. The NEXT MORNING at 6 am, she emailed me back asking me for my full. I ran to the bathroom where my husband was showering, told him she requested the full, and then burst into tears. Happy tears, mind you, but I was elated like nothing I’d experienced in quite a while. (Other than my wedding, the birth of my children, etc.)

After spending a day finetooth-ing the manuscript, I sent it to her. Or I thought I did. I actually sent her a blank email without the manuscript attached. Then I realized it the next day and sent it to her for real. Then I sat back and waited for my ship to come in.

August 6 2014—Top Choice Agent sent a very nice rejection email. She gave helpful feedback that I ultimately, as in several months later, took, but she was kind, and I appreciated that.

August 15 2014—Hadn’t heard anything back from Contest Agent about the requested 50 pages, so I asked if I could send a revised 50 pages (I did this a lot—asking agents if I could send revised partials. Rookie mistake.) She said yes.

Between August and end of the year, 2014—I queried a whole bunch of agents. I started off with the ones I really wanted, as evidenced by my querying my TOP CHOICE AGENT first. I went down the list querying the ones I’d starred as ones I really thought would be a good fit for my type of story. Some people tell you to start with your top choices, others (many others) say to start somewhere in the middle so you can use their feedback to finetune, then query other higher-choice agents. I went with my top choices first because I figured I might as well get them out of the way first, then I could move onto other, more likely agents. I don’t know—I had to pick a route, so I chose that one. Hindsight, and all that, but that’s what I did.

October 2014—I had coffee with Patti Callahan Henry. She is the author of a large handful of lovely Southern novels, and she happens to live in Birmingham. I’d been keeping track of her (in a very non-creepy way) for a while, and finally met her at the Southern Festival of Books in Nashville. We made plans to meet for coffee. We chatted about life and writerly things, then she asked about my book. I gave her the rundown, and she asked me to send her the query and synopsis. I did, and she emailed and asked if she could send the query and synopsis to an editor friend of hers, Ami McConnell, at Thomas Nelson, a division of Harper Collins. Obviously, I said yes.

November 2014—Patti connected me and Ami. Ami read my query and asked for the full manuscript. I sent it.

November 2014—Contest Agent finally sent a rejection email. She gave feedback similar to what my Top Choice Agent gave.

December 2014—participated in PitMad, a pitch contest on twitter where agents request manuscripts based on a short Twitter-sized pitch. I got several requests. I highly recommend these because they give you a chance to hone your pitches, query letters, and manuscript.

February 2015—Participated in SunVsSnow, another Twitter pitch contest. An agent who requested my manuscript during PitMad (and ultimately rejected it) requested it again. I’d made some revisions, so I sent it on with a note saying she’d read an earlier version. She rejected it again but gave me a key piece of advice—she suggested I cut the first two chapters entirely and start with chapter 3, because that was where the action really started. This resonated with what the very first two agents had told me—so I did it. Manuscript now begins with chapter 3. Much tighter and makes a lot of sense.

Early part of 2015—querying, querying, querying. Never heard back from Patti’s editor friend. I read in Publisher’s Lunch that she moved to another publishing house. I assumed my manuscript had gotten lost in the shuffle.

April 2015—I got an email from Karli Jackson, an editor at Thomas Nelson. She told me the editor friend of Patti Henry had gotten had passed my manuscript on to her before she left the company, saying she liked it and wanted another set of eyes on it. Karli said my manuscript was still bouncing around their offices and she wanted to know if I’d have any luck in the agent department. (Cue mic drop #2.) I told her no agent yet but that I had several partials and a couple fulls out and was hopeful. I asked if I could send her my revised manuscript, since what she had still had those first two chapters I’d decided to cut. I sent her the revised ms.

May 2015—Got a rejection from an agent who had been very promising. Emailed Karli to ask if she had any suggestions for agents she knew who might be interested in my type of novel. (Usually I would never ask an editor that, but this was already an unusual situation and Karli had been super helpful and encouraging. I figured I had nothing to lose, but possibly a good deal to gain by asking.)

June 5 2015—Karli emailed to say my novel would be discussed at the next week’s acquisitions meeting. EEEEKKKK! I got on the horn (as an old boyfriend used to say) and emailed all the agents who had a query, partial, or full and let them know of the development. I put *Editor Interest* in the subject line to get their attention. A couple passed right then, and a few thanked me for letting them know and said they’d read what they had asap.

June 6—I looked at some of the Thomas Nelson authors who write women’s fiction and looked up who their agents were. One name, Karen Solem, stood out, and when I looked her up, I was shocked to find that she was looking for the exact type of story I had written. I didn’t know how I hadn’t run across her in my agent search. So I sent her a query and first three chapters, explaining that my story would be in TN’s acquisitions meeting, and that I was still hoping to find an agent who believed in me and my story.

June 8—Karen wrote me back saying she was very interested in the story and would read asap.

June 9—Karen wrote saying she loved what I sent and set up a time for us to talk the next day.

June 10—we spoke on the phone. She told me she loved the synopsis and first three chapters and offered to represent me. (Eeeekk!) I did what I had been advised by every writer’s blog and discussion thread from here to the moon and told her I needed time to let the other agents know and said I’d give her my answer in two weeks. I could tell she wasn’t too pleased with the wait time! (In hindsight, I should have said I’d give them a few days. If they wanted the story bad enough, they could have made their mind up very quickly!) I also told her I was thrilled she loved the first three chapters, and that I was even more excited to know how she felt after reading the whole thing.

In next two weeks, I waited for answers from agents who had queries/partials, particularly one agent who had a full and who I also thought would be a good fit for me. I’d originally queried her back in May but never heard from her. I’d written her again with “Offer of Rep” in subject line.

June 22—spoke on the phone to the other agent I’d been waiting for. She offered rep. We spoke for an hour and clicked really well. She liked my book a lot, had some suggestions, and hoped to work with me.

(FYI, I was at the beach with my family at this time. Totally freaking out.)

2:00—phone call with Karli and two others at Thomas Nelson. Discussed how my book would fit into their audience and vision. Told them I was trying to decide between Karen and the other agent who had offered me rep. Great conversation that left me super excited. They had not yet made the decision to offer me a contract, but things were looking good.

After a LOT of pacing and thinking and making an actual pro/con list, I decided to work with Karen—she’s been in the business a long time, she’s worked extensively with Thomas Nelson and knows the editors, and everyone I talked to about her (other writers) thought it was a BIG deal that she offered me representation. Called her and gave her the news—she was super pumped. Called the other agent and told her the news—she was disappointed, but said good luck. I decided I did not like being on the other side—the one actually giving the rejection.

July 9 2015—Karli emailed me and Karen telling us the team at Thomas Nelson had decided to move forward with The Hideaway. The next step was to talk to the sales team.

July 29—Karli emailed saying they received all the feedback they needed and everyone was in full support of my little novel! (Eeeeekkk!) They would begin circulating all the necessary paperwork and hoped to send an offer soon.

August 11—morning of both of my kids’ meet the teacher orientations at school and I got a phone call from Karen saying she’d gotten the offer from Thomas Nelson—a two-book deal with the first book coming out spring of 2017, next book a year after that. My brain was fried for the rest of the day.

August 12—spoke to Karli on the phone and had a great conversation. She’s super easy to talk to, very excited about my book(s), and we totally clicked. Couldn’t be more excited! (Thinking back on this conversation even now makes me smile.)

Between August and November I tried to be very patient. Emailed Karen once a month to check in (which means I tried not to sound like a bothersome nag but I really wanted to get my signature on the proverbial dotted line!)

November 9 2015—finally got the actual contract. Read through it, talked to Karen about it, then signed four copies and mailed them back to Nashville. Woohoo.

So where am I now? I am not writing! To be more specific, I’m taking time off from writing—time to enjoy the holidays, read, watch Friday Night Lights, notice Christmas before it passes by and is gone for another year. Just before Thanksgiving, I finished a supremely rough draft of what I’d originally thought would be book two, but now I’m thinking I will work on something else in January—a story I previously started but paused because I thought it was too heavy for a second book. Now though, in light of the pain and grief I’ve seen people go through over the last little while (including my own family as my sweet mom has been diagnosed with the beast of cancer), I’m thinking a book with teeth and meat on its bones is what’s in order. It’s tentatively titled Hurricane Season, and I love the idea of it. (And I’m experienced enough with this sort of thing to know that part of the reason I love it is because I haven’t yet really gotten into it, and any book seems bright and shiny and full of hope and promise before you actually begin writing it.)

Until next time, folks.


Synopsis II

Another day, another post about the synopsis. I just this minute stopped myself from disappearing into the deep dark galaxy of over-googling. I've searched for just about every combination of words I can come up with to try to figure out this synopsis thing--more specifically a synopsis for a book with two timelines. I'm sure my Google ads are going to be all over the place with my frenzied googling! (Reminds me of the time I googled "motorcycles gay men ride" for research for THE HIDEAWAY. Definitely got interesting ads popping up after that one.) I've written a two-page synopsis (was intended to be one page, but you know) that sort of condenses the main parts of the story, but it only mentions one of the timelines. And just talking about one of the timelines sort of--well, it leaves out FIFTY PERCENT of the book. But summarizing both of the timelines is darn-near impossible in a synopsis--especially a short 1-2 page one.

In other news, our writing cartel met last night and they gave me some good food for thought about a few chapters of my manuscript. A little more tightening, a few clarifications, the usual. Overall, the book is finished, but as more people read it, small things pop up. Not game-changers or anything requiring a massive overhaul, thank goodness. I've done that once or twice already and I'm satisfied with how the story reads now--and my readers have been too. But that's not to say it's perfect--which is why my cartel is so awesome. They tell me what I've missed and suggest how to fix it. And I try to do the same for them. Honestly, I don't think my book would be what it is now if I hadn't found this group.

Hopefully the next time I post, I will have made some significant progress with the synopsis and will be closer to "go-time" (and by that cheesiness, I mean the point when I'm ready to start sending queries out for real.)

Have a great weekend!


Update on THE HIDEAWAY and a few notes about home

THE HIDEAWAY (no longer working title--this one has stuck) is rocking along. I'm now in my third fiction workshop and the experience has been so valuable. Through discussion with this class several months ago, I decided to make a pretty big overhaul in the manuscript. I didn't change the story or characters, but I am telling it in a different way now. It works much better, and the story is stronger. I've finished reordering the MS and I've given the revised MS to my husband and my mom (I know, I know, you're not supposed to trust family members to give you an honest opinion, but I do trust them!) I've also sent it to three beta readers, two of whom are also writers. My hope is to finish going through the printed copy myself and compile the beta readers' comments by the end of May. In June, I plan to hand off the MS (hopefully in as polished form as I can possibly make it) to another friend who is a published author. I figure she's a good last set of eye to see it before I start querying agents. At some point, I'll need to start gathering agent info...but I suppose I need to write a darn good query letter and synopsis first. Yikes. On another note (but related to THE HIDEAWAY), I was thinking the other day about the old adage "there's nothing new under the sun." If you think too much about all the books that have already been written--all the themes authors have covered, all the story lines that have been fleshed out--it can be overwhelming to the point of tossing the pen (or computer) aside and giving up. I think the key is to remember that yes, all the stories have basically been written, all the themes have been covered inside and out--but what I can do is come up with a new, fresh way to tell my story. So it's a theme that's been done before--at least no one has done it my exact way. That's what makes mine unique.

I remember telling my mom a while back that there seemed to be so many books about women who, for one reason or another, leave their hometown, only to return to it years later with a new perspective. The theme seemed overdone and annoying. And what did I do? I wrote a book with that theme! That's just what came out as I fleshed out my characters. But the more I thought about it, the more I realized that the idea of home and of a sense of belonging to a place is familiar to a lot of people--that's probably why the theme has been covered in so many books and movies. It's definitely common in Southern fiction--and that's what I write--and I think that's because the idea of home and place is so important to people from the South. However, I'm sure it's a universal theme, not just a regional one.

Maybe the only way to come up with something totally unique and never-before-seen is to write scifi/fantasy where you are making up a whole new world and characters that don't exist in real life. That way, it's totally out of your imagination. But even then, these characters (or beings or what have you) will likely deal with the same themes and issues, whether it's love, loyalty, revenge, betrayal, or a host of other commonalities. I guess even vampires and the dauntless ones have hearts that can be bruised and ties that can be broken.

My point is, if you look hard enough, you'll find that every theme under the sun has already been written, but that shouldn't stop you from writing your story, whatever it is. Just make sure your spin on it is fresh and new.


More Than a Year Later

So, I'm not a blogging expert. I just wrote an entire post and deleted it. Sigh. It's been more than a year since I last wrote here. I didn't exactly forget about the blog, I just didn't have (or make) time to write in it. That's because a month after my last post, I began a new story. The idea came to me and I started jotting bits of it down, then it just kept coming and coming, and I kept writing and writing. I began getting up at 5am to squeeze in daily writing time before the kids woke up so that regardless of what happened during nap time, I'd know I'd at least gotten my writing in for the day. I finished the manuscript in December. Its working title is The Hideaway. At this point, I am editing it and sending it to readers. I'm much more confident in my abilities as a writer this time around. Writing that first manuscript taught me so much--I think I even learned more than I realized, because my second manuscript was much tighter and more streamlined even without me trying to make it so. It just came out that way. I think the first one was so incredibly wordy, I had no where to go but...well, down.

In my hopes of becoming a better writer and polishing this manuscript, I'm participating in my second fiction workshop class right now. It's been fantastically helpful to be in the company of other fiction writers--we critique each others work, give feedback and suggestions, and generally have a lot of fun. I've also joined a writers' group here in Birmingham. We're all young mothers with little ones at home, and we fancy ourselves as writers. Actually we are writers--one even has a publishing contract (a traditional one, not an Amazon ebook--not that there's anything wrong with that!) and a book coming out next year! It seems ludicrous for me to hope for the same thing for my little book, but oh I do!

My first manuscript, titled A Soft Place to Land, is still, sadly tucked under my bed. I hope it sees the light of day again, but I know it will require a LOT of reworking if it does. I have a soft place in my heart for that story, mainly because it was my first one that I actually completed, and it would be nice if I could make it into something lovely.

All that to say, I'm still here, and I will try to make it back here more often. I began this blog as a way to document my journey to publication, and it still is. I just have so precious little writing time these days with two very active children that any time I do get, I spend working on my actual manuscript, not the blog. But I'll try.

Thanks for visiting!